THE MAIL ON SUNDAY
NIGHT AND DAY MAGAZINE

Cool for Kats





Copyright 2005 Associated Newspapers Ltd.
Mail on Sunday (London)
September 4, 2005








At 5.00am, in the South African Kalahari desert, some ten miles south of Botswana, not even the sun has risen. No sleepy little head pops out just yet from any hole in the meerkat burrow. The sand still sticks to its night-time grey and all life stays below ground. Then quietly a tiny bush rustles and shivering female meerkat Baddiel, creeps out from her hiding place. For having illicit pups she has been left out in the cold by her family- the 33-member meerkat group Whiskers. Baddiel's exile, decided by her mother Flower, Whiskers' leader, is just one of many dramas in Meerkat Manor, the real-life soap story that wildlife TV station Animal Planet has been filming since last October.

Animal Planet's decision to star meerkats was a simple one. They are popular and accessible. David Attenborough's Meerkats United was named as the nation's all-time favourite wildlife programme in a survey by BBC's Natural History Unit, and meerkats are just as easy to film as they are to watch.

The word meerkat is Afrikaans. The animal is a type of mongoose- nothing to do with a cat- but, at cat size and with a nonchalant manner around humans, meerkats are made for a TV soap. Not only do they have human-like waking and sleeping patterns (up at sunset, back in burrow by sunrise) but even near-human personalities and grouping habits.

"There's only a limited number of species that have the kind of social structure which lends itself to a soap format" says Meerkat Manor producer Caroline Hawkins of Oxford Scientific Films (OSF).

By extension, OSF has personified the stars of Meerkat Manor by giving them screen names and explaining their daily scenarios in human terms (like exile). "I think with wildlife docs we're slightly leaning towards making animals more engaging. One way of doing that is to give them names so you can follow their characterisations. It is quite a big step away from the classic 'David Attenborough' style blue chip," says Hawkins. 'I think viewers will come away with a better understanding of meerkat behaviour without even realising it.'

However, for all the human parallels humans do not interfere. The programme's setting is the 25 square km Kuruman River Reserve, the arid site of Cambridge University's ten-year meerkat co-operative breeding research programme. I spent three days there, observing the meerkats each morning and afternoon.

The TV lens does a similar thing. Far from prompt any meerkat activity, it simply reflects what's happening. If you do see the odd scientific volunteer onscreen it's only to give a sense of proportion to the size of the meerkats. Bill Nighy provides the narration, but he is not to be seen.

'We made a decision to have no humans,' says Hawkins. 'This is breaking new ground in many ways with wild animals. The nearest thing is Monkey Business on ITV, charting the day-to-day life of chimps- but there are humans in it, too.'

According to camera assistant Matt Drake, the meerkats have practically written the scripts themselves. 'We'd identify certain areas of their behaviour and use those as "headlines" for each episode,' he says.

There's been a lot of doubling up of roles in the making of market manor. Drake is both camera assistant and sound recordist. He, like another member of the crew, has a degree in biological imaging and a third has a degree in zoology.

The four-person film crew, two cameramen and two assistants, has been alternating in pairs for five-week blocks. 'We've been on a very tight budget.' says Hawkins. 'I'd say it's probably about one-sixth of the budget of a one-hour BBC wildlife documentary.'

The budget covers crew pay, filming equipment, crew pay and basic accommodation in 'rondavel' thatched huts. Filming is done on a straightforward Sony camcorder.

When it comes to the cameraman's skill of positioning himself around the meerkats, Drake says, 'You have to be sensitive to the meerkats' space because you don't want to disturb or affect their natural behaviour. Where you put yourself is up to you and as time passes you get to know what they are able to tolerate with regards to you being there.'

If anyone is put to the test it's not the meerkats. 'The most common situation is that the Meerkats will mark you with their foul-smelling scent from a special gland,' says Drake. 'The dominant male has the most prolific gland, as it is his job to put the Whiskers scent on their territory, which includes you.'

Of course, meerkats themselves are not the only hazards when filming. 'The fine sand they displace from digging out their burrows gets everywhere,' says Drake. 'It's light and hangs in the air so you are constantly having to clean the equipment. The heat of the desert itself is generally not good for it either so you sometimes had to take that into consideration if you choose to go off and leave something. We also have problems with ground squirrels and porcupines, which enjoy chewing through our infrared camera cables.'

So, what does it take to be a Meerkat Manor cameraman? 'It's a collaborative process between everyone in the Kalahari and us in the edit suite in London,' says Hawkins. 'They're wildlife documentary specialists, but they're all film makers in their own right, too'.

As well as watching out for the fate of Baddiel on Meerkat Manor - will she or won't she be readmitted into the Whiskers family? - I'll be keeping an eye on Mozart - another wanton female with pups. Only the alpha male and female of a meerkat group are meant to mate. An infidelity can be punishable by death - the alpha female might eat another mother's pups. So Baddiel has got off lightly, just being exiled for having pups. As it stands, hers may live, but Baddiel's status has been put on hold until Whiskers decides what to do.

Male scraps have been no less gripping, as is the body language of meerkats such as Zaphod and Youssarian - alpha and alpha-redundant males- whose sovereignty over the group has switched back and forth several times. Finally, there's Shakespeare, the valiant sufferer, bitten by a puff adder. There's enough poison in his leg to kill a human but, so far he's defying the odds.

My favourite of all is shifty villain Youssarian, who's always plotting something. Big Will and Super Furry Animal are also good entertainment, partly for their names, sure, but mostly for their attitude. They can all be as cute as they are calculating, as intent on feeding scorpions to pups as plotting the next illicit affair. They're an awesome blend of the comic and the dignified.

A meerkat on sentry duty is priceless - it balances upright like a tripod on two back feet and a crooked tail, pale grey belly puffed out to catch the sun's rays and front paws rested gently on top. As for when they're on the war path, meerkats will have all four feet on the ground as we see when the Whiskers gang fluff out their fur, kick up their back legs and chase off rival group Lazulli.

Co-operation amongst meerkats, while fascinating, is also key for group survival. So, I hope Flower will find some way to forgive Baddiel and accept her back. And, unless I'm ever lying in the Kalahari at 5am again I'll be watching to see her head pop out from the burrow one morning on Meerkat Manor.